Tracking shots, crane shots, multiple cameras shooting the same scene from different angles, “Dutch angles”, long takes, the use of deep focus, the use of wide-angle and zoom lenses, and intentionally unsteady shots through a hand-held camera, are all different ways of making a film more beautiful, and more rich in meanings and symbolisms. Since the beginning of feature films in the first decade of the 20th century, many of the pioneering techniques have been used extensively, maximizing not only the possibilities of each era’s camera technologies, but also the level of artistry in motion pictures. It represents the overall vision of the director, the skill of the director of principal photography, and their ongoing collaboration throughout the filmmaking process. The camera placement and movement is one of the most crucial aspects in every film production. Perhaps the most critical of all those assets in film is none other than the camerawork. However, as in every art form, to achieve a confirmed or acclaimed artistic status is not a matter of self-declaration, but one of specific assets. Cinema is the only art form capable of utilizing and combining all other arts, and in such inspiring ways that it can produce a new way of complete human expression ergo a fresh, and “sui generis” art itself.
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